Studio Time With The Horrorist
Today I thought I would give you a quick look at some of my workflow. Here’s how I often start creating an EBM (Electronic Body Music) style track. I’ve started a Eurorack modular system and you can see my first two pieces in action here. I have recorded a 5V Pulse into Ableton from the Korg SyncKontrol iOS app. I loaded the click into Simpler and use MIDI to create a pattern. In this example it’s a straight 16th note. I use Ableton Live to route the 5V click out of my Motu 828 MKIII into a Doepfer Dark Time analog sequencer. The Dark Time is not in sync with my Ableton MIDI set up. The Dark Time controls an Analog Solutions Telemark (SEM clone). 8 steps of CV variation and CV filter variation loop the bassline. I also have the Dark Time send a clock out to a Korg Monotribe. On the Monotribe I have muted the drums and just have it playing some lazer zap type sounds typically where you would find a snare drum. Using MIDI I have a Vermona DRM1 MKIII playing a kick and snare.
The Monotribe’s clock out goes into an Intellijel uStep which sends a 16th note clock to a Make Noise Echophone. I have a MFB-522 drum machine in sync with Ableton via MIDI playing a clap. This clap is sent into the Echophon where it’s delay shimmers in 16 synced steps because of the uStep control. I can play with the Echophon’s pitch knob for a wicked nice analog clap delay effect. Is it worth all this effort? In my opinion yes. You can’t really get a sound like this without going analog. This part would make a good verse. Because I can pitch the bassline on a MIDI keyboard the next step is to make a Chorus, maybe change the Dark Time sequence length or patter slightly, add some pads from an Ensoniq ESQ-1 and add vocals. I hope you enjoyed the peek into a world where control is everything.