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gregwar wrote:u mean when u rec extra vocal takes they sound off ?
gregwar wrote:when you have it all doubled or more it's the slight variations in intonation, rhythm, etc that give it it's fullness.
gregwar wrote:here's an orchestra one I did called freak magnet:
https://www.dropbox.com/s/5wvqawpctcdg2 ... 0final.mp3
it's just the instrumental cause the vox, etc are still being mixed. this beat took me 2-3 weeks it's prolly one of the most complex I've ever attempted. there's something like 48 or more tracks.
tons of kontakt, battery, esx24, etc all layered with synths, etc
I'm not surprized. I'll bet not many pro studios use dynamic mics for recording voice. Yeah, 58s are great for live, but a nice silky condenser is usually way more better for recording vox, and anything else acoustic for that matter.gregwar wrote:the biggest difference came from upgrading my sm58 to a rode nt1a
here's an orchestra one I did called freak magnet:
https://www.dropbox.com/s/5wvqawpctcdg2 ... 0final.mp3
it's just the instrumental cause the vox, etc are still being mixed. this beat took me 2-3 weeks it's prolly one of the most complex I've ever attempted. there's something like 48 or more tracks.
Purity_Control wrote:Twerk! Teh boingy! It haz it.
Purity_Control wrote:Teh Twerk haz teh boingy!
twerk:
https://www.dropbox.com/s/7ppnmnjep32gt ... eta%29.mp3
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