It’s been a while! I’ve been through some ups and downs the last couple years and I can say I’m finally in a good place now and it’s time to take care of this website! I’ve been getting a few emails from the host saying that everything is out of date and boy is it!
I’m sad to say, CMG is going to go away.. It left a while ago, but now it’s time to make it official as part of the broad sweeping changes I’m making and taking towards moving on with my life.
Given than, I will be focusing more on me, my music and my art now. The forum will still be around and so will I, but the URL will be changing to http://outofthevoid.co/ which has been my personal, net label, home page, place holder for quite a while. You will be able to find me and my content over there and yes, that means I’m still blogging, but it’s going to be on things that I own and use personally along with my music and other stuff finding the best recommended turntable, I’m even thinking on getting a new mic from a Music Critic condenser mic guide I found online.
It’s been fun, but it’s not really like I ever left! I still know most of you on the ‘net, in one form or another!
The Korg minilogue is a fully programmable four-voice polyphonic analog synthesizer; complete with a 16-step polyphonic note and motion sequencer, arpeggiator, and delay.
Here’s a summary of video 1, above:
I started with just an INIT patch, one square wave, no FX. Programmed a little polyphonic sequence, then started messing with the filter, envelopes, LFO, and Voice Mode Depth knobs. I really kept it at just this one saw tooth wave and simply changed voice modes. First Poly, then Duo, then Unison, then Mono, then Arp. I added some chorus and reverb when I got to Mono mode, and I added some Roland Space Chorus tape delay when I got to the arp.
I think this synth sounds super warm and wonderful. The modulation possibilities are so fun, even with a limited LFO section (you can only assign the LFO to one source!). I haven’t even scratched the motion sequencing which would give you tons more modulation capabilities.
Video 2 summary:
Working with leads today in Mono and Unison modes and using sync a bit. I don’t really know how to use sync (obviously) but hey, this is a synth jam journal.
Very simple sequence on the Mother 32 just modulating a bass note really. The EMX provides the drums and additional bass. The EMX1 also does motion sequencing like the Minilogue, and you can hear it in the bass note filter modulation.
Anyway, I thought this sounded kind of cool so I kept it, even though my arm is annoying. I’m keeping the arm anyway, though.
Started with a simple pad I programmed the other day, and just tweaked it as I went. Bass throbbing from the Moog Mother 32. Enjoy.
Music software and hardware developer Arturia is proud to introduce its innovative MatrixBrute Analog Synthesizer — set to reset the benchmark by going down in history as arguably the most powerful analogue synthesizer ever created — at The NAMM Show 2016, January 21-24 in Anaheim, California, USA…
When was the last time your heart started racing at the thought of making music? How long has it been since you heard sounds that were entirely new? When did you last find an instrument that truly inspired you? Arturia actively posed such challenging questions to itself when readily rising to the challenge of designing the MatrixBrute Analog Synthesizer. So here’s the answer: an astonishing programmable monophonic/duophonic analogue synthesizer set to start your heart racing and serve up entirely new sounds as a truly inspirational instrument… meet MatrixBrute Analog Synthesizer! As a massive-sounding and highly-specified beast of analogue avant-garde-era synth technology, it is fit for reaching the outer limits of truly 21st Century sonic exploration, thanks to the trademark sound of its three ‘Brute’ oscillators, superb-sounding Steiner-Parker and ladder filters, three ultra-fast envelope generators, amazing analogue effects, and — the pièce de résistance — its incredible modulation matrix. Modular… without the painful patching practice of going modular, in other words!
What makes the massive-sounding MatrixBrute Analog Synthesizer so state-of-the-art, then? Matrix by name, matrix by nature, that namesake modulation matrix is at the heart of MatrixBrute, making the most of each ‘module’ through a matrix that offers thousands of potential modulation routings. Assign any of 16 modulation sources to any of 16 modulation destinations (in MOD mode) and set the amounts of each modulation routing using the dedicated data encoder; four such destinations are user programmable and can clearly be seen in the eye-catching E Ink (Electronic Ink) display. Don’t be afraid to invent a sound palette of your own and make your musical mark!
That multifaceted matrix also allows presets to be recalled quite literally at the touch of a (dedicated) button (in PRESET mode). Go grab one of the 256 pioneering, pre-programmed professional presets or recall one of your own original sound creations… instantly! Indeed, MatrixBrute packs the power of a modular synth system with an all-important ability to save each patch. No need to worry about recording a sound straight away for fear of losing it forever!
Furthermore, the matrix can also be pressed into action as an awesome 64-step sequencer with separate STEP, ACCENT, SLIDE, and MODULATION options (in SEQ mode). Make musical moves directly on your analogue synthesizer. Sounds can evolve in melody and texture… exactly the way you want them to!
To help maintain a 100% analogue signal path, MatrixBrute also adds true ANALOG EFFECTS to its stereo output — choose from chorus, delay,andflanger with five operational modes… and, yes, any ANALOG EFFECTS controls can be set as modulation destinations in the matrix! When was the last time you worked with analogue effects and a great arpeggiator? Ask no more. MatrixBrute has got you well and truly covered. Multiple modes of both the Arpeggiator and Sequencer allow almost unlimited musical ideas to quickly and easily flow forth for instant inspiration!
It’s a given that any analogue synthesizer only sounds as good as its VCFs (Voltage-Controlled Filters) and VCOs (Voltage-Controlled Oscillators). The MatrixBrute Analog Synthesizer sounds superb, markedly making the most of its four-mode STEINER FILTER (upgraded to support both 12dB/oct and 24dB/oct slopes alongside a dedicated Drive control for creating thicker sounds) and three-mode LADDER FILTER (known for creating punchy bass and fat lead sounds with 12dB/oct and 24dB/oct slopes alongside another dedicated Drive control). The three VCOs are each equipped with a sub-oscillator as well as Saw, Pulse, and Triangle waveforms with the unique wave-shapers that are the trademark of the beloved ‘Brute’ sound of the MatrixBrute Analog Synthesizer’s smaller siblings, the award-winning and amazingly compact and bijou MiniBrute and MicroBrute monosynths (both boasting MIDI, USB, and CV connectivity together with a host of unique features). But by pairing a 49-note (full-size) keyboard (featuring both velocity-sensitivity and aftertouch for a musical feel with plenty of expression) with a beautifully-designed, solid chassis (featuring a helpfully-hinged, hands-on capacious control panel), the road-ready MatrixBrute Analog Synthesizer is both bigger and better, boasting more connections than an airport… well, almost!
As such, you can comfortably work with any setup — cue control voltage interfacing in abundance (12 CV inputs and 12 CV outputs to interface with any standard 1V/oct modular gear); AUDIO IN (line and instrument levels allow for adding an external oscillator from a favourite modular synth or processing a guitar or other instrument through the filters, VCA, and analogue effects); GATE In and Out (to trigger external gear or trigger the internal envelopes remotely); SYNC In and Out (to synchronise the internal sequencer and arpeggiator with external devices); standard MIDI In, Out, a n d Thru (to connect to both modern and vintage gear alike); USB I/O (to interface to a computer-based DAW directly and also use the free editor/librarian software); and PEDALS (Expression 1, Expression 2, and Sustain inputs to provide realtime control) — not forgetting, of course, MASTER OUT (stereo master outputs on 1/4-inch jacks).
As a phenomenal source of inspiration and a truly empowering instrument, MatrixBrute is easy to understand. Forget drop-down menus and dual-function controls. Forget connectivity issues. Forget imitations. This is you in control. This is you inventing sounds. This is analogue avant-garde!
TheMatrixBrute Analog Synthesizer will be being showcased on Arturia’s booth (#6920) in Hall A at The NAMM Show 2016, January 21-24 in Anaheim, California. Come check it out!!
At the 2016 NAMM Show, Roland is introducing the SYSTEM-500 Complete Set – an all-in-one modular synth that they call ‘a modern classic’.
The Roland System-500 Complete Set is based on the classic SYSTEM-700 and SYSTEM-100M,. Made for Eurorack format, it’s a complete system, with multiple oscillators, filters and effects. It comes in a custom case with patch cables.
Pricing and Availability for the Roland System-500 Compete Set are TBA. See the Roland site for more info.
Complete analog modular synthesizer with multiple oscillators, filters and effect
512 module with two voltage controlled oscillators with saw, sine and square waves
521 module with two voltage controlled filters with selectable high-pass filters
530 module with two voltage controlled amplifiers each with multiple CV inputs
540 module with two ADSR envelopes and invertible LFO with five waveform types
572 module with classic phase shifter, delay, gate delay and invertible LFO
Vintage Roland analog sound in a modern instrument
Includes case, power supply, and braided patch cables
Versatile wood and metal case is portable, stackable and can sit flat or angled
Numerous CV connections for an array of modulation possibilities
Roland says that the SYSTEM-500 Complete Set delivers “the classic character and playability of a vintage Roland modular synth, with all the advantages of a modern instrument.”